AGFA LAUNCHED its Optima range in 1959, and the Optima II that
I’ve got a year later. There’s an f/2.8 Color Apotar lens
with front cell focusing by three click-stop symbols indicating scenic,
groups and a double-head portrait.
The front turns further to just a blank
part of the symbol ring, but if you look underneath you find it’s
stopped at a close-up setting of 1m or 3 ¼ ft. Some makers use
a single head symbol for this, but Agfa didn't on the Optima. The brightline
viewfinder’s got a couple of small lines just inside the top to
indicate the parallax error on close-upshots.
 |
| Too easy to use if you like to have
complete control |
The lens is set in a Prontormator shutter with only three settings,
B, a lightning flash symbol and a red A. On A the exposure is entirely
automatic. I don’t know the Prontormator shutter, but there’s
a window for a selenium cell next to the viewfinder, and if you point
the camera at the sky with the you get a small aperture on the five-bladed
iris. Take it into a fairly dim light and you get a large aperture so
I assume that it’s some form of trapped-needle metering with a
single shutter speed. There’s a dial on the top plate for film
speed setting but only up to 200 ASA.
Whatever the system is it works quite
well and seems to be reasonably accurate as I got a nicely exposed set
of negatives taken both in sunlight and in fairly deep shade. When you
look into the viewfinder a red dot changes to green if there’s
enough light to take a picture. I don’t know the shutter speed,
but it must be reasonably fast as there was no sign of camera shake.
The release is a lever on the front plate
alongside the lens. The top plate is uncluttered with just the ASA setting
dial, a cable release socket, a slightly recessed accessory shoe and
the rewind knob which retracts level with the top plate and pops up
when you slide a little button alongside it. The exposure counter is
on the back underneath the rear door. It’s a well made, quite
heavy, somewhat bulky camera but it’s nice to handle and very
easy to use, aimed at people who know nothing about photography.
Too easy really if you’re the type
of photographer who likes to be able to choose the aperture and shutter
speed instead of having everything done for you and likes to focus by
distance and not symbols.